Oh Boy, the Mad Max: Fury Road Director’s Follow-Up Has Some Issues Viewers Lost It Over a Horrifying Scene in the New Game of Thrones.
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It’s one of the few moments in this raunch-packed but weirdly unsexy movie when I understood why Sarah Jo desired something or someone, and I wish the subplot had been given more development and screen time. Late in the movie she has an oblique encounter with a surprisingly sensitive porn star played by Scott Speedman. The wide-eyed enthusiasm with which Sarah Jo approaches this project is meant, I think, to be whimsically endearing instead, I worried for her safety every time a stranger appeared at the door.
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A disturbing montage in the second half of the movie has her inviting a series of strange men to her room (somehow, inexplicably, unobserved by her mother and sister) as she works her way down an A-to-Z checklist of porn-sourced acts and positions: A for anal, B for bukkake, C for creampie, etc.
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Tonal inconsistencies and all, Dunham knows how to film a sex scene, but the incoherence of the story makes it hard to root for Sarah Jo’s sexual awakening, especially after Josh predictably dumps her and she dives down a rabbit hole of internet porn and hookup apps. But a later montage of the couple going at it while high on mushrooms glistens with the telegenic eroticism of an Adrian Lyne movie. The early sex scenes are filmed with a comic awkwardness that recalls Girls, with Sarah Jo apologizing for her abdominal scars-like her creator, we learn, she has had her uterus removed after medical complications-and Josh humiliated by his premature ejaculation. The first half of the movie tracks the rise and fall of this doomed liaison. Thanks for signing up! You can manage your newsletter subscriptions at any time. In particular, the contrast between the two sisters, the virginal, uptight Sarah Jo and the twerking, boy-crazy Treina, felt like a pure story contrivance-and one that, given the fact Sarah Jo is white and Treina Black, carries with it racial implications that the script barrels obliviously past. Though Froseth, Leigh, and Paige give it their all, bringing tenderness, humor and affection to their scenes together, I never believed in the reality of this family unit.
The choice not to provide any back story for why Sarah Jo seems so delayed in her sexual development spares the character from being actively offensive, but it also leaves the viewer puzzled as to how this apparently intelligent and competent young woman could have grown up in an outspokenly sex-positive setting with so little grasp of 21 st-century reality that she has no idea you can find pornography on the internet. This is a family so sexually frank that Treina and her mom sit at the kitchen table painting their nails as they rap along with Khia’s X-rated hit “My Neck, My Back.” Yet in a later scene, once Sarah Jo’s initiation into the world of sex is under way, she is still so untutored in basic vocabulary that she believes the word “blowjob” implies blowing on a man’s penis.ĭunham and her team have denied reports that Sarah Jo was originally written as a neurodivergent character, though Froseth did reach out to an autism sexuality advocate in her early stages of research.
Meanwhile the naïve Sarah Jo, who looks and dresses more like a prim preteen than a woman in her mid-twenties, listens in wide-eyed wonder.
Their household is a chaotic mini-matriarchy, with Marilyn, a five-times-married former party girl, dispensing advice to Treina about how best to package herself as a sexy TikTok influencer. The Norwegian actress Kristine Froseth plays Sarah Jo, a 26-year-old who works as a trained home aide-essentially a value-added babysitter-for a little boy with Down syndrome.* Sarah Jo lives with her mother Marilyn (Jennifer Jason Leigh) and adopted sister Treina ( Zola’s Taylour Paige) in a small Los Angeles apartment.
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